Within the context of sacred architecture this project seeks to concretize moral issues and sacred matters, believes and doubts, hope and faith, love and hate and transform them into architectural forms. These architectural forms have engaged religious symbols such as (cross, equilateral triangles, square(s)), relevant numbers such as (3, 7, 10, and 40) and symbolic colors (white and black). Religion and symbolism are at all times attached and inseparable. The location of the project at the center of the cemetery and at the end of an important axe suggests the idea of a monumental volume.
Three equal parts compose the plan and the main elevation. They represent the father, in the middle, the son and the Holy Spirit on the right and the left of it.
It was shortlisted at World Architecture Festival (WAF) in Barcelona.
